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The information on this page is an excerpt from
the
FabJob Guide to
Become a Romance Writer. It is only a small sample of the valuable
information contained in the 127 page complete guide.
How
to Write a Proposal an Editor will Love
"A
common problem is that an author will send in a proposal that has no spark.
They've done everything right-except imbue the story with
spirit." -
Brenda Chin, Editor at Harlequin

One of the most important parts of your proposal is the
synopsis. A synopsis is a short recap of what happens in your book. You
sum up the story in 2-10 pages, hitting the high points. Think of the
blurb on the back cover of a book, only with more details. I believe a winning
synopsis can get you a request for your entire book. The problem is, where do
you even start with a synopsis? How do you sum up 50,000 or 100,000 words in 10
or fewer pages?
People often dread writing a synopsis. They
moan and groan and gripe and whine. Why do I have to do this? I wrote the book,
can't they just read that? Well, actually, no. Again, editors are really busy.
Many have offices that look like they are carpeted in
manuscripts.
I remember reading an article by Malle Vallick
of Harlequin Duets where she said her dream is to be able to see her
carpet and what color it is. She vaguely remembers it as being pink. Imagine,
that is the mountain of work with only proposals to read through. Read the
whole manuscript? Dream on!
To make things easier for myself, I always
write my synopsis before I write a single word of the manuscript: it is
part of my plotting. Sometimes it changes, but usually not much. I find I write
better this way and the story flows more easily because I have a sense of where
I'm going, and I don't get bogged down in those middle-of-the-book blues. But
if you are one of those people who absolutely cannot do this - to do so would
cause you to lose interest in the book - then don't. Finish the book and then
write the synopsis. Here are some dos and don'ts to help you with this
task.
Dos and Don'ts
- DO include the
five basic elements:
- First meeting (included in this, you
introduce your hero and heroine, showing their internal conflict and how that
plays into the romance)
- Their first kiss (focus on emotions-this
is the worst possible person for each to be involved
with)
- First love scene (emotions-why was this
a mistake? At least one character really should feel this way or your conflict
is reduced)
- Big black moment (the moment when all
seems lost, how will this couple ever get
together?)
- Resolution (wrap everything up, tie off
any loose ends)
- DO make sure
the opening paragraph hooks the reader, just like the first paragraph of your
book.
- DO write the
synopsis is present tense: "She runs from her stalker," instead of "She ran
from her stalker".
- DO make the
hero and heroine's goals clear and believable.
- DO make the
synopsis match the tone of the novel. If your novel is light and funny, your
synopsis should be, too.
- DON'T leave
out the ending because you think it will entice the editor to look at the rest
of the manuscript. The editor needs to know you can tie up all loose ends and
write a convincing story.
- DON'T add a
lot of details or dialogue. The editor simply needs to know how the characters
overcome their problems and get to their ultimate goals, not that they did so
on a sunny mountainside in Western Vermont on a fine spring day filled with the
scent of the blooming wildflowers. You get the idea.
- DON'T send in
a synopsis that reads like a textbook.
Sample Synopsis
A
Christmas Truce Synopsis
Jack Riggs lives life on the edge - in and out
of the bedroom. Macy wants a dependable man who will be there when she needs
him and sexy, brazen Macy always gets what she wants.
One week before Christmas and a year to the day
since he walked out on her, Jack Riggs shows up on Macy's doorstep. She's about
to slam the door shut in his face, when he collapses. Jack is dangerous and
Macy wants him as much as ever, but she's determined not to go down that
guaranteed path to heartbreak a second time.
Jack hadn't intended to stay away from his
beautiful, sassy bride for so long but his job as a Navy Seal often kept him on
assignment and unable to call home. Now that he's home, he's determined to win
his way back into Macy's heart and her bed.
Macy agrees to help nurse Jack back to health,
although other than a slight limp he looks exceedingly fit to her. While she
might owe him the human kindness of a place to stay, she doesn't owe him her
heart on a platter, and Jack has made it clear that he intends to go back to
Sealing as soon as he recuperates from his injury.
Four anxious wanna-be grandparents add some
minor comic relief as they try to figure out ways to keep Macy and Jack
together while keeping tabs on how this temporary reunion is coming along. They
want these two together and they will do whatever it takes to achieve that and
gain a grandchild. They spy, they lie, they push for
reconciliation.
When she married Jack, Macy thought she could
live with his absences and life-threatening work. She'd quickly discovered the
heartbreak of not knowing if your man is alive or dead. She needs stability,
security and a partner who will help her raise the children Jack claims he
doesn't want. While she might enjoy their steamy nights, she holds a little of
herself back for fear of losing herself forever.
Jack's physical therapy isn't going as well as
he'd like. The harder he pushes himself, the further he gets set back. Macy
begins to hope they might have a chance at a normal life but she fears he will
never recover from losing the ability to be a Seal. Jack is determined to
overcome his limitations. In the past, he has been able to overcome anything
with hard work, and he believes he can do that again in this
situation.
Macy is determined to distract him from his own
self-destructive determination, and what better place to do it than in the
bedroom?
Jack leaves for an appointment with his
superiors and Macy is terrified they will send him on an assignment. His leg
seems a little better and he's been restless and moody. What if he disappears
again? What if, this time, he never returns?
Jack is offered the opportunity to work as a
trainer to new recruits but he chooses to return to Macy. The desire to save
the world and seek out dangerous adventure that once ate at him is now gone.
Instead, he wants nothing more than to start a family and settle down. Now he
only had to convince Macy that this is what he wants.
At first, Macy is uncertain if Jack will truly
be happy living a quiet life, but Jack kisses and caresses her doubts away.
Brazen Macy can finally make love with all her passion blazing and nothing held
back, every night - and day, and midday, and early morning - for the rest of
their lives.
The above is only a small sample of the
valuable information in the FabJob Guide to Become
a Romance Writer. The complete guide describes
additional ways to impress an editor, along with detailed information on how
you can become a published romance writer. Visit
FabJob Guide to
Become a Romance Writer for more
information. |